“Pressed” show and other typographic goings-on in Denver
Denver, Colorado, has been a hotbed of activity related to typography and letterpress printing this month, with a series of type-centric events and exhibits. Designer and printer Rick Griffith of Matter has worked with the Design Council at the Denver Art Museum, AIGA Colorado, and Mohawk Paper, to organize Pressed, an exhibition of letterpress printed ephemera.
The Denver Art Museum's Frederic C. Hamilton building
To kick off the show, the Denver Art Museum hosted two events, including a night of printing demonstrations and a “letterpress typography symposium” with screenings of Jack Stauffacher, Printer about the San Francisco publisher Jack Stauffacher; and the recent Typeface documentary about the Hamilton Wood Type Museum.
I was honored to speak after the screenings on a panel with Jim Sherraden & Brad Vetter from the much-loved Hatch Show Print, Denver’s resident letterpress guru, Tom Parson, and Rick Griffith as moderator. As you might imagine, the discussion covered a variety of typographic topics, but seemed to have an emphasis on the history and culture of letterpress as it relates to contemporary typeface design, design education, and poster printing.
The highlight of the weekend was the opening of the Pressed exhibit and store in the Denver Pavillions. Rick and his team have collected a huge amount of contemporary letterpress work from all over the US and beyond, and presented it in an impressive gallery with giant 8-foot-tall wooden letters. Just about every inch of wall space is covered with colorful prints from Hatch Show Print, Amos Paul Kennedy Jr, the Hamilton 10th Anniversary Show, Yee-Haw Industries, and many, many, more artists/designers/printers.
The show will remain up in Denver through July 4th, after which it will continue on as a traveling show. A catalog is also being produced for the show. For more information and updates check DesignArtArtDesign, the Pressed project page on Kickstarter, and Matter on Twitter.
